David Kiersh is an illustrator and cartoonist with a love for personal comics. He created the comic strip Drop-In and published the books Afterschool Special and Dirtbags, Mallchicks and Motorbikes which he also wrote and illustrated. By day, he has worked as a planetarium narrator, children’s librarian and graphic designer.

His website, davidkiersh.com showcases his illustrations and comics over a period of twenty years. More recently, Dave has created and maintained a personal collection of obscure comics and related ephemera into the searchable site/archive comicartandbooks.com

You can check out his shop to help support his projects and encourage him on his journey to create more books, both handmade and heartfelt. Or visit his website for a deep dive into this exhaustive survey of his portfolio, most of which has never been published elsewhere!

Fiona Smyth is a feminist Canadian cartoonist, illustrator, and comics educator born in Montreal. She began creating comics while studying at the Ontario College of Art. She soon became immersed in the art world, creating paintings, murals, comics, and zines, and then went on to contribute her work to various anthologies. Her work has appeared in Exclaim! magazine, Vice magazine, and more.

She's been published by Seven Stories Press, Koyama Press, Annick Press, and Pedlar Press. She's received many awards for her work and is now teaching the next generation of cartoonists at OCAD and working on her next book.

Megan Kelso is primarily a cartoonist but also teaches art and does freelance illustration. She graduated from Evergreen State College in 1991 and started her comic series Girlhero, which won her a Xeric grant. 

Her graphic novel, Artichoke Tales, was published by Fantagraphics along with three collections of mini comics. In 2004 she edited a comics anthology titled Scheherazade, that showcases the work of many female graphic novelists. You can find her on Blogspot and Instagram at megangirlhero.

Vanessa Davis is an illustrator and cartoonist currently living in Los Angeles. She is the author of Spaniel Rage (Buenaventura Press, 2005) (re-released in March 2017 by Drawn and Quarterly) and Make Me a Woman, (Drawn and Quarterly, 2010). She's currently working on her next book for Drawn and Quarterly and mentoring at the Sequential Artists Workshop.

In recent years she's taught at California College of the Arts, and was the art director and comics editor at Popula. She won the Terry Southern Award for humor from The Paris Review in 2017. Some of her other clients include: The New York Times, The New Yorker, Vogue, SpongeBob Comics, Amplify Education, and Bento Box Entertainment.

Diane DiMassa is a feminist and comic artist from New Haven, Connecticut, who began drawing 'Hothead Paisan: Homicidal Lesbian Terrorist ' in 1991 as a form of anger therapy. Hothead Paisan is a character who uses guns, grenades, guillotines and anything else that can be used as a weapon to avenge wrongs against women, creating a popular underground comic for lesbians, feminists and recovering addicts.

Paul Pope is an American artist/designer living and working in New York City. He has been working primarily in comics and screenprinting since the early '90s, but has also done a number of projects with Italian fashion label Diesel Industries and, in the US, with DKNY.

His recent collaboration with Errolson Hugh/Acronym for Nike’s AF1 debuted spring 2017. His media clients include LucasArts, NBC, Disney, Cartoon Network, Marvel Comics, DC Comics, Conde-Naste, Kodansha (Japan), Sapporo (Japan), Dargaud Editions (France), EMI Canada, The Grateful Dead Estate, and The British Film Institute.

His iconic Batman: Year 100, a science fiction take on the classic Batman origin tale, appears frequently on many Top 10 Batman story lists. In 2010 Pope was recognized as a Master Artist by the American Council Of The Arts. His short science fiction comic strip Strange Adventures (DC Comics)--an homage to the Flash Gordon serials of the '30s-- won the coveted National Cartoonist Society's Reuben Award for Best Comic Book of the year. He has won 5 Eisners to date. His latest book, Battling Boy, debuted at #1 on the New York Times best-seller list, his third book to hit the NYT Top 10.

SAW spoke with YLP Alum and FLOW + Publish member Dusty McGowan about his experiences with comics, his creative process, and his unique perspective as a psychotherapist cartoonist.

Dusty was also a guest on the most recent episode of SAW’s Comics Karma podcast with hosts Tom Hart and Lauren Weinstein. Check out the episode!

We had such a splendid and informative time having Sacha Mardou speak with us about her healing journey and career in comics. She gave us a generously in-depth look at her process in making her newly-released graphic memoir Past Tense. We also got a sneak peak at what she's working on next!

About our guest speaker:

"Sacha Mardou was born in Macclesfield in 1975 and grew up in Manchester, England. She began making comics after getting her BA in English Literature from the University of Wales, Lampeter. Her critically acclaimed graphic novel series, Sky in Stereo was named an outstanding comic of 2015 by the Village Voice and shortlisted for the 2016 Slate Studio Prize.

Since 2019 she has been making comics about therapy and healing. Her graphic memoir Past Tense: Facing family Secrets and Finding myself in Therapy published by Avery/Penguin USA is out now. Since 2005 she has lived in St Louis, Missouri with her cartoonist husband Ted May, their daughter and two disruptive cats."

What a pleasure it was to have Yasmeen Abedifard speak with us at the Sequential Artists Workshop! We talked in depth about the making and many iterations of her recently published When to Pick a Pomegranate (2024 Silver Sprocket), as well as her journey through arts, comics, publishing, and teaching. Give it a listen! About our guest speaker: "Yasmeen Abedifard (b. 1996) is an Iranian-American artist born in the San Francisco Bay Area and is currently based in Oakland, CA, USA. She holds an MFA from Cornell University, where she received the Charles Baskerville Painting Award. Her work is centered around storytelling mediums, including comics, illustrations, and animation. She is currently teaching in the Comics program at The California College of the Arts (CCA) and the UC Berkeley Art Studio."

Our very last episode of The Terrible Anvil (Season One) was recorded this week! With Tom and Jess together in the same room!

We tried to tie a bow around the business of comics by offering ideas on HOW TO KEEP GOING (FOREVER), AKA making your own sustainable comics practice amidst inner/outer turmoil and also remembering to wash the dishes.

A big takeaway from this episode: CELEBRATE SMALL WINS!

This week we recorded the penultimate episode of THE TERRIBLE ANVIL, this time discussing scripts, dialogue, and writing for comics!

The words we use and how they are arranged on the page can guide readers' understanding of our comics and influence how they feel about a story and its characters. But how do you pick the right words? How much is too much dialogue? How can you make sure readers understand your text the way you intend?

It was a privilege to have cartoonist Carl Antonowicz speak at the Sequential Artists Workshop about his journey through comics and performance art, among his many other creative endeavors!

ABOUT CARL:

Carl Antonowicz is a Tulsa-based illustrator, performer, writer, director, cartoonist, and calligrapher. He dabbles in medieval history, the occult, theatre, and any of a number of other enterprises. He is currently enjoying his third year in the Tulsa Artist Fellowship.

Carl earned his Master's of Fine Arts in Cartooning at the Center for Cartoon Studies in 2011, and his Bachelor of Arts in Studio Arts and English Literature from Austin College in 2008. He recommends both institutions highly.

This week we talked all about creative collaboration!

Comics can often be a solitary endeavor, but you'll find lots of ways to collaborate with other people—be it editors, writers, artists, colorists, copy editors, designers, publishers or co-creators!

Collaboration in any art form can be a great way to breathe new life into the creative process. They can be scary or uncomfortable if you're used to having total control over your creative projects, or this shared control might feel liberating.

Either way, there's lots to gain from working with others on a shared project, from morale boosts and accountability systems, to practical knowledge sharing and the creative alchemy of multiple minds coming together.

But how do collaborations happen? How do you make them successful? How can you maximize fun and minimize pain in the process?

There's lots of advice in this episode, but the core of it is to establish clear communication and boundaries and to have a shared goal with your collaborators.

This week on The Terrible Anvil, we talked about BACKGROUNDS!

We talked about the link between last week's topic, EXPECTATIONS and backgrounds—what we THINK backgrounds should look like, as well as what readers might expect…

Roberta Gregory is the legendary, groundbreaking cartoonist, the first woman to self-publish a full length solo comic, Dynamite Damsels in 1976 and she has continued to be involved in mini-comics and self-publishing through the 2000s. She's contributed to Gay Comix, Wimmen's Comix, Tits & Clits and is the solo author of Bitchy Bitch, Winging It, Sheila and the Unicorn and many more.