NOTES FROM SAW

Here’s the place to check out everything that’s been going on at SAW including what we're learning, reading and drawing.

 
90s podcast Sequential Artists Workshop 90s podcast Sequential Artists Workshop

Roberta Gregory - 90s Mini-Comics Oral History Archives

Roberta Gregory is the legendary, groundbreaking cartoonist, the first woman to self-publish a full length solo comic, Dynamite Damsels in 1976 and she has continued to be involved in mini-comics and self-publishing through the 2000s. She's contributed to Gay Comix, Wimmen's Comix, Tits & Clits and is the solo author of Bitchy Bitch, Winging It, Sheila and the Unicorn and many more.

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90s podcast Sequential Artists Workshop 90s podcast Sequential Artists Workshop

Carol Tyler - 90s Mini-Comics Oral History Archives

Per her publisher's website: Carol Tyler is one of the most enduring cartoonists of her generation. Debuting with the short story ""Un-Covered Property"" in Weirdo in 1987, she went on to contribute to other anthologies of the era like Street Music, Twisted Sisters, Wimmens Comix, Drawn & Quarterly, and Zero Zero.

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This Week at SAW, Process, Online Learning, The Terrible Anvil Sequential Artists Workshop This Week at SAW, Process, Online Learning, The Terrible Anvil Sequential Artists Workshop

The Terrible Anvil - On Early Drafts in Episode 3

Episode 3 - On Early Drafts

We had THREE topics that were somewhat braided together:

  1. A thought Jess had: Become more interested in DOING what you're doing than KNOWING what you're doing.

  2. A quote I wrote down: "I often find myself writing long meandering first drafts, that drift around a bit before settling down into a state of baffling indecision." - George Saunders

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What We're Reading, This Week at SAW, Process, Faculty Sequential Artists Workshop What We're Reading, This Week at SAW, Process, Faculty Sequential Artists Workshop

Lauren Groff on Process

SAW's favorite novelist on drafts, failure, and limitation as gift.

As a maker-writer, you may have a story in mind, the beginning of a story, the end of a story in mind—but rather than emphasizing the narrative arc, she places importance on the process of a “continual thickening until right shape emerges…”


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