Join the SAW Online Comics Certificate Intensive to learn the skills and knowledge to build a lifetime of comics-making
The Year Long Program Syllabus
The SAW Single-Year Intensive Has Been The Premier Program For Affordable, Personalized Comics Instruction For Over 10 Years
Join us every September-May to master the tools, find the motivation and harness the power to take your comics-making from Good to Great.
Learn about our Online Certificate Program
We’ve Built a Tried-and-True Curriculum Broken Up Over four 6-week Semesters
SAW Year Long Program Syllabus
We run three courses at a time, for 6 weeks and then 2 more weeks to create an assignment based on the courses. Then, we do another 3 courses concurrently.
The course work is asynchronous, but we do have several live calls a week to help understand the course work and exercises.
What to expect from the coursework, week by week
Quarter 1
Week 1 - Topics
Storytelling - The Narrative Image
Drawing for Comics - Drawing the Figure in Gesture
Hidden History - Distribution
EXERCISES:
Storytelling - 3 narrative images
Drawing for Comics - 3 gestures from photos, 3 gestures from chart
Hidden History - Answers in community
Week 2 - Topics
Storytelling - Playing with Time
Drawing for Comics - Drawing the Face and Expressions
Hidden History - Underground, Queer and International Comics
EXERCISES:
Storytelling - storytelling "sequence in time" exercise.
Drawing for Comics - 2 personal expression, 3 heads from photos, 6 invented heads
Hidden History - Active discussion in community
Week 3 -
TOPICS:
Storytelling - Silent Stories
Drawing for Comics - Putting People in Spaces
Hidden History - Archie Comics and Kids ComicsEXERCISES: Storytelling - Silent Diary Comics
Drawing for Comics - Perspective Exercises: Hanging/floating heads
Hidden History - Active discussion in community
Week 4 - Sept 27, 2025TOPICS:
Storytelling - Page Design
Drawing for Comics - Arranging the Elements in a Panel
Hidden History - Political, Propaganda and Informative ComicsEXERCISES:Storytelling - A previous story reimagined on the page
Drawing for Comics - A narrative image from a fairy tale in color and shape only
Hidden History - Active discussion in community
Week 5 - Oct 4, 2025 (Tom will be less available.)Video: https://www.loom.com/share/bedd7ba2acfa4b87a7e778d3fd652a81?sid=44a21b89-a6d5-47e7-9fab-0e17e9775c0eTopics: Storytelling - Story and Simple Story Structure
Drawing for Comics - Composing Shots and Panels
Hidden History - Zines and MemoirEXERCISES:Storytelling - What is the problem to be solved?
Drawing for Comics - A range of shots and angles
Hidden History - Active discussion in community
Week 6 - Oct 11, 2025 (Tom will be less available.)INTEGRATION:Storytelling + Drawing for Comics - Integration and Final Assignment
Hidden History - Innovation and Comics as PoetryWork weeks: Oct 11-25
Work on final assignment: https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-storytelling-with-tom-hart/texts/10675930-final-assignment-session-1-dialogue-with-the-past
SUBMIT YOUR FILES HERE:
https://www.dropbox.com/request/Otk071Ey1wv17T5b3BBX
FILL OUT THIS FORM!
:
Quarter 2
Week 1 - Oct 25, 2025Ideas and Vision - Your Visual PulseDepth and Details - The Hidden LayersModern Comics Exploration - Intro to Modern Comics ExplorationExercises:Ideas and Vision - Your Visual PulseDepth and Details - Landscape 1, Layers exercise, Landscape 2Week 2 - Nov 2, 2025Ideas and Vision - Your Personal StoreDepth and Details - Details that Work, Details that ClutterModern Comics Exploration - AutobiographyExercises:Ideas and Vision - 100 Nouns, Draw Some NounsDepth and Details - Details 1 of 3 (Ruin or Cave), Details that work, details that don'tWeek 3 - Nov 9, 2025Ideas and Vision - Storytelling Vinyasa Part 1 - Gathering + Developing IdeasDepth and Details - Organizing DetailsModern Comics Exploration - Manga AestheticsExercises:Ideas and Vision - Gathering Ideas, Developing the IdeaDepth and Details - Details 2 of 3 (Revisit Cave or Ruin)Week 4 - Nov 16, 2025Ideas and Vision - Storytelling Vinyasa Part 2 - Expanding and Editing IdeasDepth and Details - A Look at an Illustration, Piece by PieceModern Comics Exploration - TBDExercises:Ideas and Vision - Depth and Details -Week 5Ideas and Vision - Making your Stories and Strips PersonalDepth and Details - Groupings, Crowds and Windows Through TimeModern Comics Exploration - Combatting MarginalityExercises:Ideas and Vision - Variety of exercises are live in the presentation.Depth and Details - A drawing using grouping and crowds through windows and doorsWeek 6Ideas and Vision / Depth and Details - Integration and Final AssignmentModern Comics Exploration - TBD
Final assignment
Logistics:
Due date: Dec 21, 2025If you can create a single PDF, please name it with your last name do the following:Upload it here:https://www.dropbox.com/request/jf3T0e9NZke2EOkJPepmFill out this form:https://forms.gle/VWM7W4EjCw5jFpq16
LETTERING AND GUTTERS WEEK - JAN 5 - JAN 11: https://sequentialartistsworkshop.thinkific.com/courses/take/omg-lettering/texts/51482630-exercise-and-demo
GET YOUR Quarter 3 materials, find that post here:
https://members.sawcomics.org/posts/95240589
QUARTER 3
Week 1 - January 10, 2026Comics Frontiers - Reading Order Unravelled https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-comics-frontiers-with-tom-hart/texts/10675196-introductionFinishing Decisions - Working in Pencil
https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-finishing-decisions/texts/28248183-working-and-finishing-in-pencilMarkets, Art and Practice - Art: Why Art? And more.
https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-markets-art-and-practice/texts/35120016-art-making-philosophy-and-the-big-questions-and-obstaclesWeek 1 Exercises:Comics Frontiers: Polyomnio-https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-comics-frontiers-with-tom-hart/texts/10675196-introductionFinishing Decisions: Submit a panel finished in pencil. https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-finishing-decisions/texts/28248801-exercise-submit-a-panel-in-pencilMarkets, Art + Practice: Why Art? And your Origin Story and Through- Line -
https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-markets-art-and-practice/texts/41318752-exercise-why-art-and-your-throughlineWeek 2 - January 17, 2026Comics Frontiers - Voice and Tone in Narration
https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-comics-frontiers-with-tom-hart/texts/10684680-voice-introductionFinishing Decisions - Working in ink
https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-finishing-decisions/texts/28255598-working-and-finishing-in-ink-and-ink-washMarkets, Art and Practice - Presenting Your Work and Talking about Your Practice -
https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-markets-art-and-practice/texts/35120021-week-two-how-to-present-your-work-and-talk-about-your-practiceWeek 2 Exercises:Comics Frontiers- Voice and Tone in narration. you can do this with the video or with the video-
https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-comics-frontiers-with-tom-hart/texts/10684680-voice-introductionFinishing Decisions - Submit a finished panel in ink or ink wash
https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-finishing-decisions/texts/28249212-exercise-submit-a-panel-in-ink-or-ink-washMarkets, Art and Practice - You are a Graphic Novelist
https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-markets-art-and-practice/texts/41319878-exercise-you-are-a-graphic-novelistWeek 3 - January 24, 2026Comics Frontiers - You Can't Do This in the Movies!
https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-comics-frontiers-with-tom-hart/texts/10684715-you-can-t-do-this-in-the-movies-introduction-and-exerciseFinishing Decisions - Finishing in Paint -
https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-finishing-decisions/texts/31502257-case-studies-flower-voyeur-mothering-in-placeMarkets, Art and Practice - Setting Goals and Meeting Deadlines
https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-markets-art-and-practice/texts/35120024-practice-setting-goals-and-meeting-deadlinesWeek 3 ExercisesComics Frontiers - You Can't Do This in the Movies!
https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-comics-frontiers-with-tom-hart/texts/10684715-you-can-t-do-this-in-the-movies-introduction-and-exerciseFinishing Decisions - Complete a panel in paint
https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-finishing-decisions/texts/28249299-exercise-submit-a-painted-panelMarkets, Art and Practice - Plan your Q4 assignment -
https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-markets-art-and-practice/texts/61998639-exercise-plan-your-q4-projectWeek 4 - January 31, 2026PHOTO COLLAGE in COMICS FRONTIERS! (We'll look at this live on the 2pm Eastern call on Monday!) https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-comics-frontiers-with-tom-hart/texts/15919062-photo-comics-photo-collage-fotonovelas-and-fumetti-video-and-exerciseFinishing Decisions is about working digitally! https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-finishing-decisions/texts/28249313-intro-working-and-finishing-digitallyMarkets Art and Practice: https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-markets-art-and-practice/texts/35120028-markets-getting-your-work-out-there-submitting-to-comics-anthologies-magazines-and-collections-vs-self-publishingEXERCISES:Comics Frontiers: Photocollage: TRY IT! https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-comics-frontiers-with-tom-hart/texts/15919062-photo-comics-photo-collage-fotonovelas-and-fumetti-video-and-exerciseComics Frontiers Submit a panel digitally for web and print:
https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-finishing-decisions/texts/28249318-exercise-submit-a-digital-page-for-web-and-printMarkets, Art + Practice: Discuss where you read comics in the network, and where submissions might happenWeek 5 - February 7, 2026Comics Frontiers is called Discord and Rhyme https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-comics-frontiers-with-tom-hart/texts/10684777-discord-and-rhyme-info-and-exercise-1Finishing Decisions: https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-finishing-decisions/texts/28253486-case-study-mother-s-walkMarkets, Art + Practice https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-markets-art-and-practice/texts/35120033-week-five-deciding-between-self-publishing-and-a-publishing-houseExercises:Comics Frontiers: Discord and Rhyme: A personal story using Nancy panels as a visual metaphor: https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-comics-frontiers-with-tom-hart/texts/10684777-discord-and-rhyme-info-and-exercise-1Finishing Decisions Exercise: Submit a panel that is a combination of analog and digital:
https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-finishing-decisions/texts/28249411-exercise-submit-a-combination-panelNo exercise is Markets, Art and Practice, just keep the conversation going!Week 6 - February 14, 2026Comics Frontiers - Exploring Formats, and Integration Assignment
https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-comics-frontiers-with-tom-hart/texts/13775155-explore-your-formatsFinishing Decisions - Planning Zines and Booklets, and Integration Assignment
https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-finishing-decisions/texts/28249597-prepping-files-for-zines-and-bookletsMarkets, Art and Practice - Life after school - maintaining a practice and comics community
https://sequentialartistsworkshop.thinkific.com/courses/take/ylp-markets-art-and-practice/texts/35120042-week-six-life-after-school-maintaining-a-practice-and-comics-community
QUARTER 4 - Cohort mentoring and final assignment! -
Pricing Options
Pay in Full
Single payment of $3,499
OR
Single payment of $4,999 or $7,999 (for individuals with institutional support)
Pay in Monthly Installments
9 Monthly Installments (9 Payments of $399)
Our Calendar
Meet the Instructors
Instructors
-

Tom Hart
Tom is a champion of comics education who founded SAW in 2011 to be the comics school he never had. He has since released half a dozen graphic novels, instructional manuals and short comics, including his NY Times best selling graphic memoir, Rosalie Lightning.
-

Vanessa Davis
Vanessa Davis is best known for the autobiographical graphic novel Make Me A Woman and minicomic Spaniel Rage, published by Drawn & Quarterly.[1] Her comics have appeared in several anthologies, including Kramers Ergot, The Best American Comics, Stuck in the Middle, Papercutter, and An Anthology of Graphic Fiction, and more.
Vanessa says, “I had gone to art school looking to meet vibrant weirdos! “ That’s what you’ll get here.
-

Carly Shooster
Carly Shooster (she/her) is a Jewish-American cartoonist based in Gainesville, Florida. She graduated from the California College of Arts with a MFA in 2022 and has since been working on her first Graphic Novel, Mamita. When she's not supporting community arts through her work at the Sequential Artists Workshop, she's walking her dog and tending her garden.
-

Rob Clough
Rob Clough has been a critic, editor, and programming organizer for nearly twenty years in the world of comics. Beginning with Savant, he has written for Cicada, Your Chicken Enemy, Sequart, Foxing Quarterly, Poopsheet Foundation, Looper, The Comics Journal, SOLRAD, Study Group Magazine, and many others. He has been writing his own High-Low blog since 2009.
-

Chelsea Akpan
Chelsea Akpan is a freelance cartoonist with an MFA in Comics from the California College of Arts. She focuses on bringing bold colors and exaggerative shapes together to create distinct and playful illustrative work. Her passion project right now is her comic, LOVEFOOL!.
-

Hyena Hell
Hyena Hell is a cartoonist, illustrator and sometimes-printmaker. Their comics have been published by Silver Sprocket, Tinto Press, Birdcage Bottom Books, and their own imprint, Horror Vacui Press.
-

Ayanni Cooper
Ayanni holds a PhD in English through the University of Florida where she specialized in comics and animation studies. Her research interests include monster theory; gender & sexuality; anime & manga; and science fiction & fantasy. Ayanni also co-hosts the podcast Sex. Love. Literature., which takes a semi-scholarly look at the “sex-stuff” in media matters.
-

Lauren Weinstein
Lauren is a cartoonist and artist whose work has appeared in The New Yorker, The New York Times, The Paris Review, Bookforum, Nautilus, and The Guardian, among many other outlets. For the past twenty years, her funny, beautiful, and bizarre comics and graphic novels have addressed universal human issues such as mortality, time, and most recently, motherhood.
-

Sidney Davidson
Sidney is an illustrator based in Gainesville, FL. He has a BFA in Sequential Art and MFA in Illustration from Savannah College of Art and Design. His editorial work has appeared in The Boston Globe, High Country News, and The Iguana. Sidney has rigorously and analytically studied drawing, inking techniques, and composition for 12 years. He has a strategic solution-oriented approach to drawing, illustration, and storytelling challenges.
-

Justine Mara Andersen
Justine continues the tradition of comics mentorship after learning from top names in the industry, including luminaries P. Craig Russell (Elric, Sandman), Val Mayerik (Punisher, Conan), Frank Thorne (Red Sonja), and Jeffrey Catherine Jones. Justine has worked as an inker and illustrator for DC Comics, Image Comics, Wizards of the Coast, Lucasfilm, and others. She struck out on her own to create the long-running series Mara, Celtic Shamaness for Fantagraphics.
A Message From SAW Founder and head-instructor, Tom Hart
"I created SAW to be an alternative or supplement to art school, one with a small institutional foot-print to keep things intensive and affordable for the student.
I created SAW to be the school I could never find. When I was a young artist in the late 80s, I wanted structure, schooling and mentorship, but couldn’t find it in the higher education art schools...
My belief had been and continues to be that art school should train us to be the people we want to be. We use our art training to bring ourselves into existence. A good art teacher teaches us to access our power, and also to raise our expectations of what we can see and do. A good community keeps us accountable."
Don’t Just Take Our Word for It
Testimonials from Past Students
Student Success!
“I 100% believe this wouldn't have happened if I didn't get two cool new projects done in 2021 via SAW and uploaded to my portfolio site!… I wouldn't have gotten this far without going back to brass tacks and taking focused classes with SAW to *really* dial in the kind of career I wanted and best practices to get there."
- Angeli Rafer, 2021 SAW Comics Certificate Alumni
Student Success!
Sally Cantirino, our first student.
Sally Cantirino was literally our first sign up, back in 2012, and now she's on the Simon & Schuster website.
FAQs
-
1. Do you want significantly more skills to be able to do comics "right"?
2. Or do you just want to make your graphic novel happen ?
*We put "right" in quotes because we believe everyone can make something stunning with what they have if they have the will and a support system.
The Year Long Certificate Program:When you really really want to up your skills to something more akin to what you see in the graphic novel aisle of the bookstore or library you go to. We teach an amalgam of skills including anatomy, landscape drawing, composition, color/value placement, character design, etc.
This will help you find your voice to create your own comics from start to finish.
After that, we often recommend the Graphic Novel Intensive for: Wisdom, project management, working skills, and mentorship- that's what the Graphic Novel program is about.
Of course your path may be different. We've had people do only one of them. We've had people do them in reverse order.
We're here to help you get YOUR comics made! -
The online certificate program isn’t simply an ‘online class’. The low-residency model includes a structure of 4 six-week sessions designed to be taken in order, to bring you to a full synthesis of your learning after 9 months (the last 3 months are for your own peer-to-peer sharing and learning in the group.)
You’ll stay with the same cohort for the full nine-months and come out the other side with new skills that you can continue to build on your own. Or maybe even put to use in our other short courses and workshops.
-
While past classes won't be credited to the certificate program, we want to make sure that every student is receiving new and engaging learning opportunities that meets their needs. Contact us and together we can figure out the best approach for you!
Our online courses are a kind of 'best of' teaching resources from our faculty so there may be some cross over with past class content. If that's the case, we have a growing catalog of alternative classes that can be substituted for any student who feels like they're repeating a class they've already taken.We encourage folks to come together in our in person space (a lot of people describe transformative experiences in our Gainesville studio) but we don’t require participation for people to receive the certificate of completion. Think of it as a supplement for you to connect to your creativity and community.
-
Our online classes are run through the Mighty Network. Each student has access to the course material through a personal portal where they can also contribute to the community forum.
Tech support is delivered by the SAW Admin staff. Email or direct message them, whatever issue you’re having, we will respond within 24 to 48 hours.
And yes, you will continue to have access to the course material for as long as SAW exists on the internet. -
The classes are pre-recorded and released each week and remain available to you for as long as you need. All participants are invited to join a live call, once a week, to check in and receive supplementary instruction. Attendance at these calls is not required but is highly recommended to get the most out of the experience. These calls are recorded and archived in the learning materials.
The interaction in the community with the instructors is available 24/7 in our network. -
The classes are scheduled to meet on Mondays, alternating each week between 2pm and 8 pm Eastern time. There are additional calls, usually on Thursday evening Eastern in the 2nd quarter for the Modern Comics reading class, and there are often student-led "study halls" at different times in the week.
-
Weekly exercises are uploaded in our membership community forum on the Mighty Network. And quarterly required assignments are uploaded via a simple Dropbox link and a Google form, so we can keep track of them and give you personalized, private feedback.
-
You’ll find the main proctors/guides/instructors in the Mighty Network nearly every day. Our other instructors, namely Sidney Davidson, Rob Clough, Ayanni Cooper, Hyena Hell and Lauren Weinstein will be in and out during their sessions, based on their schedule.
Outside of calls, we encourage students to engage with their peers in the Mighty Network or create self-directed studio times to meet up and simulate the experience of drawing alongside each other in the same room. -
Online classes can be hard to stay engaged with, we know that! Facing a computer each day, it can be difficult to feel like you’re part of a community. We have a three fold strategy for keeping students engaged.
Number 1. A pass, fail system for classes. If you are unable to demonstrate your engagement with the course materials and homework tasks, you are unable to move on to the next set of classes. One of our admin staff is dedicated to tracking progress and checking in with people who might be falling behind to see if they need a little extra help.
Number 2. The low-residency weeks are intended to bring students together to put faces to the names of the online community and function as a goal during the semester while students are working independently.
Number 3. Our Mighty Network group is active 24/7, wherever you are in the world. Not only do you have access to your classmates, but you have access to other comics lovers. Each week there will be discussion opportunities, as well as work sharing not only with your peers but with the course instructors.
We believe being able to work independently and motivate yourself is a huge part of being a professional artist. Our goal is to give our students the tools and inspiration to leave the classroom fold and continue to create comics for themselves! -
The suggested price that keeps our bills paid is on this page. We do offer scholarship assistance up to one month before the program begins. This system is really important to us as a non-profit organization, and helps us in our commitment to make comics available to everyone.
Our refund policy is to return payment within two weeks of the beginning of classes if you are not satisfied.
This Is Your Chance to Become the Cartoonist You Want to Be!
Pricing Options
Pay in Full
Single payment of $3,499
OR
Single payment of $4,999 or $7,999 (for individuals with institutional support)
Pay in Monthly Installments
9 Monthly Installments (9 Payments of $399)
More FAQs
-
Yes that's basically correct!
-
Everything in Gainesville is optional. Those weeks are scheduled to fit in between online quarters, but they are mostly extra. We have lots of non-enrolled people in those weeks as well.
-
The course materials are on a separate robust platform from the community (though we may integrate them in 2024.) Students dip into the course material on their own and share their experiences in the asynchronous community. We have at least one weekly Zoom call which are optional where we go over the materials and do at least one exercise. You'll receive all links both via email and in the community. Our community is a private section of our public community here: https://members.sawcomics.org/
-
The classes are scheduled to meet on Mondays, alternating each week between 2pm and 8 pm Eastern time. There are additional calls, usually on Thursday evening Eastern in the 2nd quarter for the Modern Comics reading class, and there are often student-led "study halls" at different times in the week.
-
The classes tend to run 60-90 minutes. We find 90 is good when there is an exercise involved. (Longer is too long!)
-
There is an exercise for each class, for each week. These are usually small, and can be done in 10 minutes to several hours depending on how much engagement and time you can afford. They are also optional, we understand that people will fall behind. At the end of every quarter there is a single required integrating assignment that takes 2 weeks to finish.
-
Yes they are recorded, along with the chat, audio, and transcript, and these are provided in a non-changing Dropbox link for continued access.
-
Weekly exercises are uploaded in our membership community forum on the Mighty Network. And quarterly required assignments are uploaded via a simple Dropbox link and a Google form, so we can keep track of them and give you personalized, private feedback.
-
That includes access to the 9 courses, plus the mentoring program, plus access to our monthly pro-calls, plus additional resources like our "Get Printed and Published" materials.
-
We ask for you to donate to receive a copy of our final anthology, which is usually 200 pages long and features the best of our student work. Numerous PDF books are provided free as well, including The SAW book on Comic Strips and others.
-
If a single-panel cartoonist wished to continue from single panels to longer stories, they would certainly benefit. If you only wished to remain doing single panels, I think the full year-program would be too robust for you, and you might be more interested in one of our shorter courses, or our Graphic Novel Development program, where you certainly could work on a book of single-panel cartoons.